tinymediaempire:

Psychofor Universal / Mondo24x36” 7 color screenprintedition of 375 red, edition of 220 silver2012

(Source: daxnorman, via olivicat)


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hibbrid:

 

(Source: coolhandsluke, via formulasandfrequencies)


65,302 notes


Sophia Kelly by Jessie Lily Adams for Wonderland September/October 2013

(Source: googlygooglygoaway, via lawyerupasshole)


11,660 notes

abject-moon:

I saw Wolf Alice live in a crowded little pub in Sheffield and they were awesome. Listen to their new song maybe.

1 note

imagine-pt3:

drenge by alec mcleish


496 notes

knifeinmybrain:

spetsai:

Can you tell that I was trying to forget how much you loved me? It’s the hardest thing I’ll ever have to do, to say no to you and act like it’s not big deal. It’s the hardest thing I’ll ever have to say, so tell me that it’s ok; that I don’t want to stay with you

 

i used to drive around chain-smoking and crying to this when i was 17

222 notes


theanti90smovement:

becomming:

xlizardx:

Apparently this is "The clearest photo of Mercury ever taken."

why isnt everyone getting so excited about this, it is literally another planet look at how beautiful it is stop what your doing and look at how alien like this planet is what is living there oh my god mercury

put it back in the dumpster where it belongs fucking garbage planet
candypriceless:

'Untitled #479'
1975 | Cindy Sherman 
Among Sherman’s earliest works, Untitled #479 (1975) gives evidence of the creative mode that would become her signature.  It also reveals a telling affinity with Warhol’s Photobooth Self-Portraits (ca.1963).  Sherman has identified this composite of 23 wallet-size pictures—made for a class assignment when she was still a student at Buffalo State College—as her “first serious work.”

I have my alarm, leave me alone till then and no one need’th to die

-my younger sister 


2 notes